AI fashion

Every Indian garment is cut differently. So is every generation.

A saree is draped, a lehenga is three garments from one cloth, a kurti is shaped where a kurta is straight. Vastram Studio holds a separate construction profile for each — which is why the generated photo looks like the garment you sell.

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8 garment types supported
Male, female, boy and girl models
Slim, regular and plus

Why does garment type matter in AI fashion photography?

Most AI product-photo tools take a flat-lay of a finished garment and re-photograph it on a model. That works when the garment is a t-shirt. It breaks on Indian fashion, where the same length of cloth becomes a completely different product depending on how it’s cut: a five-metre piece is a saree if it’s draped, a kurta if it’s cut into panels, and a lehenga if it’s split across a panelled skirt, a cropped choli and a lighter dupatta.

Vastram Studio generates from a per-garment construction profile — silhouette, seam layout, border placement, motif handling, drape behaviour and how the fit changes across sizes. The profile is what the generator is actually working from, so the border lands on the hem rather than tiled across the body, and the print matches across the placket rather than resetting at the seam.

Garment pages

Pick your garment

Each page covers that garment's construction, the failures specific to it, and what a finished shoot gives you.

Kurta

AI kurta photoshoot

An AI kurta photoshoot generates catalog photographs of a kurta on a human figure without booking a model, a studio or a photographer.

Saree

AI saree photoshoot

A saree is a single unstitched length of cloth.

Kurti

AI kurti photoshoot

A kurta is a straight tunic.

Lehenga

AI lehenga photoshoot

A lehenga is three separate garments made from one cloth, and each one needs the fabric handled differently.

Salwar suit

AI salwar suit photoshoot

A salwar suit is a three-piece outfit: a long kameez tunic, a fitted churidar bottom, and a dupatta.

Side by side

What changes between garments

The same upload, the same model, the same background — and five genuinely different sets of instructions.

Construction, border placement and generation difficulty compared across five Indian garments
Aspect	Kurta	Saree	Kurti	Lehenga	Salwar suit
How it's made	Cut and stitched — two panels, shoulder and side seams	Draped — one unstitched length arranged on the body	Cut and stitched — shaped panels with bust darts	Multi-piece — skirt, choli and dupatta from one cloth	Multi-piece — kameez, churidar and dupatta
Where the border goes	Placket, collar band, cuffs, hem	Lower edge of the drape, leading pleat edge, pallu end	Hem and neckline, optionally sleeve ends	Heaviest at skirt hem, narrow on dupatta, minimal on choli	Kameez hem and dupatta long edges; churidar stays plain
Hardest thing to get right	Pattern matching across the front placket	Pleat structure and pallu decoration density	Print flow across darts and princess seams	Pattern matching across every kali seam	Choosing a churidar tone that doesn't fight the kameez
Second garment involved	None	Blouse, in a solid tone from the saree's own palette	None	Choli and dupatta, at different motif densities	Churidar in a coordinated solid, plus dupatta

Also supported

Garments without a page of their own

These generate exactly as well — they just don't have enough of a distinct story to justify a separate page.

Shirt — a Western tailored shirt with a two-piece collar on a stand, a full button placket, a shoulder yoke and buttoned barrel cuffs. Pattern-matched at the placket, the yoke and the pocket.
Trousers — correct front and back rise meeting at a clean crotch seam, straight side and inner-leg seams, pattern running vertically with the leg grain and matched left to right.

Both are selectable in the studio alongside the five garments above. Child sizing is built into every garment profile rather than being a separate attire type.